
Chamonix
A view from the Aiguille du Midi of alpinistes ascending the arête in the Vallée Blanche, near the summit of Mont Blanc in the French Alps
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 28mm f/2.5 with polarizer
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: 1978 Agfa Brovira Lustre
Toning: Gold chloride blue & thiocarbamide
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Mont Blanc
Mountain climbers in an ice cave near the Aiguille du Midi preparing to depart down into the Vallée Blanche
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 58mm f/1.2
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: Ilford MGIV Double-Weight Glossy Fiber
Toning: Iron blue and sulfuric acid
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Centre Ville de Chamonix
A view of the French Alps reflected in the Moncler designer sunglasses of a mannequin in the town center of Chamonix
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 58mm f/1.2
Film: Ilford HP5+ 800 ISO (35mm)
Darkroom paper: Ilford MGIV Double-Weight Glossy Fiber
Toning: Selenium purple
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Lauterbrunnen Valley
A view of the Lauterbrunnen Valley from hiking trails near Gimmelwald, Switzerland
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 35mm f/1.8
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: Ilford MG Warmtone Double-Weight Glossy Fiber
Toning: Sepia & polysulfide brown
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Weisse Lütschine River
Rock cairns by the side of the Weisse Lütschine River in the Lauterbrunnen Valley
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 58mm f/1.2 with Y 52 yellow filter
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: 1978 Agfa Brovira Lustre
Toning: Sepia & selenium
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Galleria dell'Accademia, Florence
A chance glimpse of Michelangelo’s “David” statue in the Galleria dell’Accademia through three sets of closing exit doors
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 35mm f/1.8
Film: Ilford HP5+ 400 ASA (35mm)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Venice
Nude mannequin in a Venetian drug store window
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 58mm f/1.2
Film: Fuji Neopan 1600 ISO (35mm)
Darkroom paper: Ilford MG Warmtone Double-Weight Glossy Fiber
Toning: Light sepia
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Venice
View of narrow canals near Campo San Maurizio
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 35mm f/1.8
Film: Fuji Neopan 1600 ISO (35mm)
Darkroom paper: 1974 Kodak Ektalure Lustre
Toning: Light sepia
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Venice
Early morning wine delivery near Campo Sant’Anzolo
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 35mm f/1.8
Film: Fuji Neopan 1600 ISO (35mm)
Darkroom paper: 1974 Kodak Ektalure Lustre
Toning: Potassium bromide
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Venice
Moment of transition for the counterfeit bag salesmen of Venice as the Polizia arrive
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 58mm f/1.2
Film: 1984 Kodak Panatomic-X 32 ISO (35mm)
Darkroom paper: Ilford MG Warmtone Double-Weight Glossy Fiber
Toning: Light sepia
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

San Gimignano
Fridge magnets of Vespa scooters for sale at a stall in San Gimignano, Italy
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 35mm f/1.8
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: Ilford MG Warmtone Double-Weight Glossy Fiber
Toning: Light sepia
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Bologna
High-speed passage of a sinister character in the streets of Bologna, Italy
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 58mm f/1.2
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: Ilford MG Warmtone Double-Weight Glossy Fiber
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

The Louvre
Viewing the spectacle of attempting to view the Mona Lisa in the 21st century
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 35mm f/1.8
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: Ilford MG Warmtone Double-Weight Glossy Fiber
Toning: Light sepia
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Paris
Stairwell of the Arc de Triomphe, looking down
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 58mm f/1.2
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: Ilford MG Warmtone Double-Weight Glossy Fiber
Toning: Light sepia
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Notre-Dame de Paris
Detail of ironwork on the 13th-century western doorway to Notre-Dame
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 35mm f/1.8
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: Ilford MG Warmtone Double-Weight Glossy Fiber
Toning: Cabernet sauvignon wine tannins and selenium
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Bromoil print in #68 Crayon Black lithographic ink of W. E. B. Du Bois Library, photographed on a misty night during early December snowfall
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 35mm f/1.8
Film: Fuji Neopan 3200 ISO
Darkroom paper: 1968 Ilfobrom Double-Weight Gallery Paper
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

University of Massachusetts Amherst
Bromoil print in #68 Crayon Black lithographic ink of the Class of 1950 Minute Man bronze statue
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 58mm f/1.2
Film: Fuji Neopan 3200 ISO
Darkroom paper: 1968 Ilfobrom Double-Weight Gallery Paper
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Field Notes
Camera: Canon 5D Mk II
Lens: Minolta 17mm f/4 (adapted)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Friendship, Maine
16-second exposure of Muscongus Bay, looking east
Field Notes
Camera: 4x5 Tachihara Large Format
Lens: 90mm Schneider Super Angulon f/5.6
Film: Fuji Velvia RVP 50 ISO (4x5)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Portrait of friend, model, and actress taken in Central Park, New York City
Field Notes
Camera: Canon 5D Mk II
Lens: Minolta 58mm f/1.2 (adapted)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Northfield, Minnesota
Portrait of the unofficial “campus cat” of Carleton College for fourteen years, twice elected to the Student Senate by write-in vote
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 58mm f/1.2
Film: Fuji Neopan 1600 ISO (35mm)
Darkroom paper: Ilford MGIV RC Glossy
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Carleton College
Bridge and lakes at the entrance to Cowling Arboretum
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 28mm f/2.5
Film: Ilford HP5+ 800 ISO (35mm)
Darkroom paper: 1974 Kodak Ektalure Lustre
Toning: Sepia
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Cross-frame exposure of building by architect Minoru Yamasaki, designer of the World Trade Centers, for an article on the disintegration and imperilment of Yamasaki’s architectural legacy
Field Notes
Camera: Minolta SR-T 102
Lens: Vivitar Series 1 70-210mm f/2.8-4
Film: Ilford HP5+ 1600 ISO (35mm)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Carleton College
Piano burning performance by New Zealand-born artist and composer Annea Lockwood
Field Notes
Camera: Minolta SR-T 102
Lens: Vivitar Series 1 70-210mm f/2.8-4
Film: Fuji 64T (35mm)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Northfield, Minnesota
State Bank building designed by Minnesotan architect Harry Jones in 1910
Field Notes
Camera: Minolta SR-T 102
Lens: 16mm f/2.8 fisheye
Film: Kodachrome 200 ISO (35mm)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Bust of Athena, centerpiece of the Carleton College Athenæum, an interdisciplinary space in Laurence McKinley Gould Library
Field & Printmaking Notes
Camera: Minolta SR-T 101
Lens: 58mm f/1.2
Film: Ilford HP5+ 800 ISO (35mm)
Darkroom paper: 1978 Agfa Brovira Lustre
Toning: Copper sulfate & ferricyanide bleach
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Carleton College & Paris
Unintentional trans-Atlantic double exposure of the Carleton College “Bald Spot” campus green and of a merry-go-round at the Place de l’Hotel de Ville in Paris
Field Notes
Cameras: Minolta SR-T 102 & 201
Lenses: 28mm f/2.5 & 35mm f/2.8
Film: Fuji 64T (35mm)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Holton, Kansas
Cyanotype contact print of back-alley door, from large format film internegative blown up from 35mm, selectively toned in coffee
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 35mm f/1.8
Film: Ilford HP5+ 400 ISO (35mm) with 8x10 Agfa X-Ray Film Internegative
Paper: Arches Watercolor, 16" x 12"
Toning: Coffee
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

College Station, Texas
1960 Volkswagen Beetle (with a June inspection sticker, of course)
Field & Printmaking Notes
Camera: Minolta SR-T 102
Lens: 16mm f/2.8 fisheye
Film: Ilford HP5+ 400 ISO (35mm)
Darkroom paper: Ilford MGIV Double-Weight Glossy Fiber
Toning: Rosamonte Especial yerba mate & Red Rose tea
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"

Triptych in Kodachrome
Last three shots on one final roll of Kodachrome (discontinued by Kodak in 2010)
Field Notes
Camera: Minolta SR-T 102
Lens: 58mm f/1.2
Film: Kodachrome 64 ISO (35mm)
All photographs are available as signed, limited edition, archival prints. Available sizes (approximate):
8" x 10"
11" x 14"
20" x 24"






























For prints:
e: david.bendiksen@gmail.com
p: 979.595.6587